Severance
Hall
August 9 &
10
Finalists Khristenko, Tarasevich-Nikolaev, Dumont and Sun. |
It’s
all about the Russians these days, from the Snowden affair to Putin’s
crackdown on gays. So it seemed perfectly in keeping with the
zeitgeist to have two Russians in the final four of the Cleveland
International Piano Competition. And written in the stars when
Stanislav Khristenko, 29, won the competition on Saturday night, with
his fellow countryman, Arseny Tarasevich-Nikolaev, 20, placing
second.
In
fact, five of the original 28 contestants were Russian. One should
perhaps not read too much into this – there were also five Chinese,
and four Americans (with names like Ben Kim and Kwan Yi). And the
head count is arguably more a measure of each country’s resources
and devotion to musical training than a measure of its young talent.
Still,
the Russians have a proud tradition of great pianists; names like
Sergei Rachmaninov, Vladimir Horowitz and Sviatoslav Richter come
immediately to mind. This critic is also a fan of contemporary
Russian players, in particular the amazing Nikolai Lugansky. But for
what it's worth, neither of the Russians in the finalist competition
earned his vote.
After
a week and a half of solo performances, the two concerts featuring
the four finalists opened on Friday night with François
Dumont, 28, bringing a distinctly French touch to Tchaikovsky’s
Concerto No. 1, Op. 23. Dumont plays with a fluid, lyrical
quality that took the sharp edge off the high-volume demands made of
the soloist, especially in the first movement. He has a
well-developed voice that was most evident in his refined handling of
the second movement, though his playing was uneven, almost coy at
times. Like an athlete, Dumont reached deep for a colorful blaze of
fireworks at the finish.
He
was followed by Tarasevich-Nikolaev playing Rachmaninov’s Concerto
No. 2, Op. 18. The Russian was more of a technician, superbly
skilled but lacking Dumont’s dynamics. His sound was mechanical at
times, though in his best moments, Tarasevich-Nikolaev gave the music
a lush, painterly quality. He has soft hands that seemed to glide
through the cascades of the famous melody in the third movement, a
fluency not yet matched by a clear voice. Though he didn’t show the
command of the other finalists, given his age, Tarasevich-Nikolaev
might have been the purest raw talent among them.
Scintillating Sun. |
The
finalists had a choice of 20 pieces to play, and Khristenko picked
Brahms’ Concerto No. 1,
Op. 15, which at first blush seems an unlikely selection. There is a
long introduction that does not include the soloist, nor are his
hands on the keyboard at the finish. But Khristenko is a dramatic,
moody player, and the deliberate quality of the piece fit his style
well, giving him an opportunity to work breathtaking phrases,
particularly in the second movement. There is not a single note in
Khristenko’s playing that seems out of place. Still, long stretches
sounded uninspired, almost too considered. Deep, yes; brilliant,
perhaps another time.
All the right moves. |
But
the judges liked what they heard from Khristenko best. In retrospect,
he seemed the favorite going in. A former Cleveland Institute of
Music student, Khristenko placed third in the 2005 competition. He
was the last of the finalists to perform this year, a placement that
automatically affords an edge over the earlier players. And the
Brahms offered the maximum posturing potential: Khristenko spent his
time either hunched over the keyboard like a diamond cutter, or
staring off into space, as if he were receiving divine instruction.
This
critic cast his vote for Sun, who was not the flashiest player but
seemed to have the best balance of ability, insight, technique and a
voice with something to say. He finished last in the jury’s voting,
and no argument with that – they are an international group of
well-regarded pianists who know their business. But Sun won the
Audience Prize, so he apparently did the best job of connecting with
his listeners.
And
the best job of connecting with the Cleveland Orchestra. Very few
finalists in any competition get to play with an orchestra of that
caliber, and this one performed with the energy and passion of a
regular-season concert, providing powerful, elegant support. It’s the
kind of class act both audiences and contestants have come to expect
from this gracious, well-appointed, refreshingly cosmopolitan
festival.
For
more on the winners and this year's other contestants:
http://www.clevelandpiano.org/
Photos of finalists and Stanislav Khristenko by Roger Mastroianni
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