Cleveland
Institute of Music
January
23
A virtuoso performer who gladly takes requests. |
It
was a scene straight out of Currier & Ives: A dramatically lit
stage with a radiant beauty seated at the Steinway. Behind her, a
winter scene framed in a towering glass backwall, with snow swirling
in the spotlights and then falling gently to rest on trees covered in
a glistening white frosting.
The
artist at the keyboard was no less captivating – Gabriela Montero,
the Venezuelan piano prodigy who packs concert halls around the world
with her fiery interpretations of the classical repertoire and
improvisational performances. One could hardly ask for a more
enchanting way to spend a January evening than seeing her in the
intimate setting of Mixon Hall.
Montero,
43, gave her first public performance at the age of five. So her
mastery of the classics, both technically and musically, comes as no
surprise. What has made her a sought-after soloist is her style, a
unique language and approach that puts a fresh gloss on whatever she
plays. Well-known works are for her less finished pieces than musical
palettes to be mixed, manipulated and rendered in new shadings and
hues.
Montero
has also fashioned a unusual career as a hybrid player who combines
the best of the classical and jazz worlds. Improvisation was always a
personal passion, but it was at the urging of the legendary Martha
Argerich that she finally brought it to the stage, incorporating
soaring flights of improv into her recitals. Her concerts now
typically start with standard piano works and finish with long,
unscripted solos based on melodies suggested by the audience.
Montero
opened her CIM performance with Three Intermezzos (Op. 117) by
Brahms, a staple in her recitals over the past year. Warm, lyrical
and rhythmic, the piece was most interesting for its exacting sound.
Many players can blaze through florid interpretations; Montero
balances that with unexpected tempos, careful nuances and pianissimo moments that fade into the barest whisper. Her control of the music
is absolute, an amazing accomplishment on the piano, a percussive
instrument that offers none of the finesse possible on, say, a string
instrument like the violin.
In
Schumann’s Fantasy in C major Montero showed a lot of
technical flash, with an uptempo first movement that matched the
whirling spirals of snow behind her. The third movement started with
what seemed like a barrelhouse rhythm, with vivid colors becoming
muted for some tender, almost meditative passages before flaring back
to life in what sounded like a final cascade of jazz chords. It was
not what Schumann typically sounds like. But as a display of sheer
skill coupled with bold, impassioned expression, it was breathtaking.
Montero
came out for the second half of her performance with a microphone,
and chatted a bit with the audience about why she loves improvisation
– “a blank canvas is the ultimate freedom” – before asking
for song suggestions. One caveat: The person proposing the tune had
to be able to sing it. A whole section of the audience chimed in on a
perfect starter, “Let it Snow.” Montero played the melody, musing
on the possibilities, then launched into a barely recognizable romp
through Baroque and classical treatments, finishing with a dazzling
flourish.
Subsequent
suggestions ranged from the opening notes of Parsifal to a
popular tango to Clair de Lune. She handled them all in the
same way, stating and then toying with the melody before diving into
fluid, energetic variations on it. Though they were clearly
spontaneous, her improvisations sounded more like finished pieces,
with well-developed structures and motifs. And she showed command of
a variety of genres, ranging across Latin, jazz and classical flavors
and rhythms.
Montero
says that she performs improv because she finds it the best way to
connect with her audience. Coming from anyone else, that might sound
disingenuous, an excuse for showing off skills that classical
strictures do not allow. But her charming manner, openness in working
with listeners and responding to their ideas, and her gift for
invention made a strong mark at Mixon, where the audience was mostly
fellow musicians. With them, as with fans around the world, she
definitely struck a chord.
For
more on Gabriela Montero: www.gabrielamontero.com
To
hear her play: http://www.youtube.com/GabrielaMonteroTV
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