Cleveland
Museum of Art
February
12
Chen and Elizalde at a peformance in Washington, DC. |
The
last time we saw Ray Chen, he was at Blossom Music Center, whipping
The Four Seasons into a frenzy under the benevolent baton of
Jahja Ling. If his performance was less than meticulous, it was
balanced by bravura technical skills and the cheerful enthusiasm that
the violinist brings to his performances. Those same traits energized
his recital last week with pianist Julio Elizalde in a program
better-suited to Chen’s style and strengths.
At
the tender age of 24, Chen is a darling in both the classical music
and fashion worlds. A prodigy who started playing at the age of four,
he studied at Curtis and won two prestigious competitions (Yehudi
Menuhin, 2008 and Queen Elisabeth, 2009) before launching onto the
international performing circuit. Chen has performed at high-profile
events like the opening of the 1998 Winter Olympics in Nagano, Japan,
the 2012 Nobel Prize concert in Stockholm, and at Fashion Week in
Milan last year, where he played Paganini backstage for Giorgio
Armani, who is a friend and supporter.
Chen
took the stage at CMA last week with the second Stradivarius to come
through Cleveland in less than a week, a rare treat for lovers of
fine instruments. His does not have the golden sound of Gil Shaham’s,
but it does have a very pure and elegant tone that matches
Chen’s style and wardrobe.
He
and Elizalde opened with a pro forma rendition of Mozart’s Sonata
for Violin and Piano in A major (K.305). Chen mentioned after the
piece that it was the first time they were performing together in
2014, and it sounded like it. The music was well-informed and
technically precise, but it came across as two people playing with
each other rather than together, with a tight organic sound.
The audience certainly didn’t mind, applauding eagerly after the
first movement. Perhaps future programs should contain instructions
on concert etiquette.
Chen
confessed to his love for “showpieces” before diving into a trio
of Sarasate works, which provided plenty of opportunity for showing
off. Chen is too open and self-effacing in his running conversations
with the audience to come across as arrogant, but he has a streak of
guitar hero in him. So he revels in a piece like the Habanera
(Op, 21, No. 2), which is basically a series of effects that call for
flashy fingering and fancy bowing, executed by Chen with zest and
flair. (Cue the applause again!)
The
slower Playera was the first piece that suggested Chen might
have some expression to go with his formidable technical skills. The
work is dramatic, bordering on tortured at times, and sounded good
with Chen adding some emotional ballast. Zigeunerweisen (Gypsy
Airs) (Op. 20. No. 1) is even more melodramatic and blazingly
fast, which gave both players an opportunity to fly through some
dazzling finger work. Chen is so quick that he was running ahead of
Elizalde by the end, commanding the spotlight in true guitar hero
fashion.
The
second half of the program got serious with Beethoven’s Sonata
for Violin and Piano No. 9 in A major, more popularly known as
the “Kreutzer Sonata.” Chen and Elizalde had clearly worked on
this piece, playing it with an intense focus and unified sound,
giving the music character. Elizalde finally had a chance to show
some color and lyricism in the solo piano passages, and Chen attacked
his part, giving it the grandest possible proportions. If their
performance was not an entirely persuasive statement about being
serious musicians, it left no doubt about two first-rate talents who
will only get better with seasoning.
And
who could not be charmed by the duo quickly coming back for an encore
that Chen introduced by saying, “We’re going to do more Sarasate,
if that’s okay.” It was quite okay with the delirious audience,
which Chen held in his hand with fiery runs and leaps to take the
high notes even higher...just like a rock star. If this is what it
takes to pump new life into classical music and bring in younger
fans, then put on the Armani, pull out the Strad, and let’s go.
For
more on Ray Chen: http://www.raychenviolin.com/
And
a peek backstage at Milan Fashion Week:
http://www.youtube.com/watch?v=yW5m9tDuaJI
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